Pada 15 Juli 2019, Fakultas Kedokteran Universitas Indonesia (FKUI) melaksanakan pertemuan dengan ketua Badan Kependudukan dan Keluarga Berencana Nasional (BKKBN) yang baru, yaitu dr. Hasto Wardoyo, Sp.OG(K). Pertemuan ini dihadiri oleh dekan FKUI sekaligus koordinator AHS UI Prof. Dr. dr. Ari Fahrial Syam, SpPD-KGEH, MMB, wakil koordinator AHS UI, dan staf dari departemen obsteri dan ginekologi FKUI-RSCM. Kegiatan diskusi ini juga turut dihadiri oleh Ketua BKKBN periode 1983-1998 Prof. Dr. Haryono Suyono, M.A. Ph.D.
Pada kesempatan ini, dr. Hasto menekankan bahwa beliau terbuka untuk bekerja sama dengan FKUI dalam mengatasi masalah kependudukan yang ada saat ini. Program Keluarga Berencana (KB) selama ini dipandang sukses dalam menurunkan angka kelahiran, namun beberapa tahun ini mengalami stagnansi. Ada juga masalah lain yang belum selesai, yaitu tingginya angka kematian ibu (AKI), kehamilan remaja, pernikahan dini, dan kurangnya pengetahuan masyarakat mengenai kesehatan reproduksi.
Prof. Ari menyatakan bahwa FKUI dalam kerangka Academic Health System siap membantu mantan bupati Kulon Progo ini. “Beberapa tahun belakangan ini, beberapa staf dan lulusan doktor FKUI memiliki penelitian-penelitian yang menarik dan bisa bekerja sama dengan BKKBN terkait pengaplikasiannya,” lanjutnya. Hal ini sejalan dengan pelaksanaan tahap pembangunan sumber daya manusia (SDM) yang disampaikan oleh Presiden Joko Widodo. Beberapa di antaranya adalah:
- Pengembangan modul pelatihan oleh Dr. dr. Arietta R.D. Pusponegoro, SpOG(K). Modul pelatihan ini telah terbukti dapat meningkatkan kemampuan tenaga kesehatan dalam melakukan konseling sehingga dapat meyakinkan calon akseptor untuk melakukan pemasangan Metode Kontrasepsi Jangka Panjang (MKJP).
- Aplikasi “KLOP (Kriteria Kelayakan Medis Kontrasepsi) KB”, yaitu aplikasi berbasis android karya dr. Yudianto Budi Saroyo, SpOG(K) dan dr. Herbert Situmorang, SpOG beserta tim. Aplikasi tersebut berisi diagram lingkaran kriteria kelayakan medis dalam penggunaan kontrasepsi yang merupakan modifikasi diagram lingkaran WHO dalam bahasa Indonesia. Hingga saat ini KLOP KB sudah diunduh lebih dari 10.000 pengguna.
- Penelitian Dr. dr. J.M. Seno Adjie, SpOG(K) (2014) terkait “Pengaruh Model Pelatihan Teknik Khusus Pemasangan AKDR Copper T CU 380 A Pasca Plasenta terhadap Peningkatan Penerimaan, Penurunan Ekspulsi dan Infeksi serta Mempertahankan Pengetahuan dan Keterampilan Provider”.
- Penelitian Dr. dr. Omo Abdul Madjid, SpOG(K), MPH (2018) terkait “Pengembangan Model Peningkatan Mutu Terpadu (M-PMT) Pelayanan Kontrasepsi AKDR Pasca Persalinan pada Fasilitas Kesehatan Primer”.
- Penelitian Dr. dr. Irvan Adenin, SpOG (2019) terkait potensi penggunaan kembali AKDR Lippes Loop dengan judul penelitian “Hubungan Komponen Inflamasi dengan Glikodelin A dan Perannya sebagai Mekanisme Kerja AKDR Lippes Loop”.
FKUI berkomitmen untuk mendukung gerakan Keluarga Berencana Nasional melalui Pendekatan Pengembangan Kolaborasi (Collaborative Improvement Approach) yang meliputi implementation, preparation, discovery, dan interpretation. “Saat ini UI, melalui payung Academic Health System (AHS), sedang berusaha mengintegrasikan penelitian dan pelayanan dalam satu sistem” papar Dekan FKUI. Di akhir pertemuan, dr. Hasto menyampaikan apresiasi terhadap upaya-upaya yang telah dilakukan FKUI terkait pengembangan program KB. Untuk ke depannya, BKKBN akan secara aktif bekerjasama dengan FKUI, baik dalam hal pendidikan, penelitian, pelayanan, serta implementasi hasil-hasil penelitian dalam rangka meningkatkan kualitas SDM Indonesia.
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Javier Bardem has responded to the criticism over his being Spanish and playing Cuban American actor Desi Arnaz.
The 52-year-old Oscar winner stars in the movie Being The Ricardos opposite Nicole Kidman who plays sitcom icon Lucille Ball.
‘I’m an actor, and that’s what I do for a living:
try to be people that I’m not,’ Javier told
The Hollywood Reporter in a new interview.
Answering back: Javier Bardem has responded to the criticism over his being Spanish and playing Cuban American actor
Desi Arnaz; seen last week in LA
Javier also argued that the flak over nationality tends
to be aimed in particular at non-native English speakers
like himself.
‘What do we do with Marlon Brando playing Vito Corleone? What
do we do with Margaret Thatcher played by Meryl Streep?
Daniel Day-Lewis playing Lincoln? Why does this conversation happen with people with accents?’ he said.
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‘You have your accent. That’s where you belong. That’s tricky.
Where is that conversation with English-speaking people doing things
like The Last Duel, where they were supposed to be French people in the Middle Ages?
That’s fine. But me, with my Spanish accent, being Cuban?’
He added defiantly: ‘What I mean is, if we want to
open the can of worms, let’s open it for everyone.
The role came to me, and one thing that I know for sure is that I’m going to give everything that I have.’
Profession: ‘I’m an actor, and that’s what I do for a living: try to be people
that I’m not,’ Javier told The Hollywood Reporter; he is pictured as Desi
The husband of Penelope Cruz joked: ‘We should all start not allowing anybody to play Hamlet unless they were born in Denmark.’
After his interview he emailed the publication and qualified his earlier remarks: ‘I do recognize that there are many
underrepresented voices and stories that need to be told,
and we should collectively do better to provide access and
opportunities for more American Latino stories and storytellers.’
As Javier was slated for playing a Latino despite not being one, Rachel Zegler has
received opprobrium for supposedly being the wrong type of
Latina to play Maria in West Side Story as she is of Colombian and Polish descent rather than Puerto Rican.
Javier and Nicole were both controversial choices for
their roles when they were cast as Lucy and Desi, whose daughter Lucie
Arnaz publicly defended Nicole.
Incoming: The 52-year-old Oscar winner stars in the movie Being
The Ricardos opposite Nicole Kidman who plays sitcom
icon Lucille Ball
The blowback they received was so intense that they both apparently
tried to extricate themselves from the film as a result.
Although the producer Todd Black was able to persuade
their agents to keep them in, Nicole and Javier still wanted the
film postponed a year.
Nicole said that once their attempts to finagle a delay were unsuccessful ‘then it
was like: “Oh, no. Oh, no. We actually have to do this.”‘
Since both Nicole and Javier grew up abroad they were unaware of how proprietary Americans felt about Lucy and Desi and so were unprepared for the backlash.
There he is: The real Desi Arnaz, who had a turbulent marriage to Lucille that ended in divorce, is
pictured in 1954 during the run of I Love Lucy
Aaron himself has previously defended casting Javier
in the midst of controversy about his not being Latin American.
‘First of all, Amazon’s casting department had a Latina
casting consultant on board. I found out, for instance, because there was an actor
who I was considering who’s Brazilian, and I was told by
the casting consultant that Brazilians aren’t considered [Hispanic] because they speak Portuguese,’ he told the Hollywood Reporter.
‘So, Javier is Spanish and the casting consultant was fine with it.
But I don’t want to use the casting consultant as cover.
I want to tell you my opinion on this and I stand by it, which is this: Spanish and Cuban aren’t actable,
OK? They’re not actable. By the way, neither are straight and gay,’ he added.
‘Because I know there’s a small movement underway that only gay actors should play gay characters.
Gay and straight aren’t actable. You could act being attracted
to someone, but most nouns aren’t actable.’
Film history: Javier argued: ‘What do we do with Margaret Thatcher
played by Meryl Streep?’ asking: ‘Why does this conversation happen with people with accents?’
Meanwhile as rumors of Nicole’s casting began to spread this January it set of a swirl of online chatter about who would be better suited for the role.
Debra Messing, who had just starred in a homage to I Love Lucy on the last season of Will
And Grace, began aggressively pitching herself for
the part on Twitter.
However Lucie posted a Facebook video urging fans to ‘stop arguing about who should
play it – she doesn’t look like her, her nose isn’t the same, she isn’t as
funny.’
She noted that the film is ‘the story of Lucille Ball, my actual mother, not
Lucy Ricardo, and her husband Desi Arnaz, my dad, not Ricky Ricardo.’
New work: ‘Where is that conversation with English-speaking people doing things like
The Last Duel, where they were supposed to be French
people in the Middle Ages?’ Javier asked
Desi, who played Lucy’s bandleader husband Ricky Ricardo on their program, had a tumultuous marriage
to her in real life.
She filed for divorce for the first time in 1944, reportedly over
his philandering and drinking, but they got back together before splitting up permanently in 1960.
In the meantime they produced two children and the sitcom that etched them into TV legend, running from
1951 to 1957.
Throwback: Despite their divorce, in which she called their marriage ‘a nightmare,’ Lucy and Desi remained
publicly amicable for the rest of his life; they are pictured while married
They also starred in movies together throughout their
marriage, including Forever, Darling and the Vincente Minnelli comedy The Long, Long Trailer.
Despite their divorce, in which she called their marriage ‘a nightmare,
‘ Lucy and Desi remained publicly amicable for the rest of his life.
Lucy married Borscht Belt comic Gary Morton in 1961
and stayed with him until her death in 1989, while Desi married one Edith Hirsch in 1963.
Edith and Desi both died of cancer one year apart – she passed on in 1985 and her
husband, who loved cigars from his native Cuba, succumbed to lung cancer
in 1986.
Aaron Sorkin’s new biopic is about a single week spent making an episode of I Love Lucy during which
Lucy and Desi’s marriage is shaken.
The turbulent week, reportedly running from the table read to the taping in front of
a studio audience, is said to include a professional landmine for the couple as well.
Javier BardemNicole Kidman
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Former child workers in India bang the drum for education
By REUTERS
Published: 16:42 GMT, 22 August 2016 | Updated: 16:42 GMT, 22 August 2016
e-mail
By Anuradha Nagaraj
CHENNAI, India, Aug 22 (Thomson Reuters Foundation) – After performing at
one of India’s top arts centres in the city of Chennai, folk musician N
Deepan stunned the audience when he took the microphone
and spoke about being a child labourer.
From the age of 10, he said he had been in and out of school, spending most of his time toiling at construction sites or binding books in stores.
And then he discovered the parai, one of the oldest traditional drums used in the southern Indian state of Tamil Nadu.
“The beat of these drums liberated us,” the postgraduate student told the audience, referring to his 10 fellow performers.
“We went back to school, we played music in the evenings and all of us eventually made it to college.”
India is home to 5.7 million child workers aged between five and 17, according to the International Labour Organization, which
estimates there are 168 million child workers globally.
More than half of India’s child workers labour in the fields, and over a quarter in manufacturing – from
embroidering clothes to weaving carpets and making matchsticks.
Children also work in restaurants and hotels, and as domestic workers.
The artists in Monday’s show, who formed Nanbaragal Gramiya
Kalaikal (Friends of Folk Art) in 2013, grew up in the slums of north
Chennai, where it was normal for children to work until just a few years ago.
The revelation that the musicians were once child labourers astonished the audience attending
the arts festival at Kalakshetra, a leading cultural institution which promotes the classical
arts including the prestigious Bharatnatyam dance form
that originated in Hindu temples.
“We use every platform we can to talk about our past,” Deepan told the Thomson Reuters Foundation before the show.
“In spaces like this, considered sacred by dancers, the reality of life in another part of the city including the slums I grew up in should be reflected.”
Most of the performers, who all dance while drumming, were rescued and persuaded
to go back to school by members of the non profit organisation Arunodhaya – a centre
for street and working children.
“We all worked. When I was 12, I went on the fishing boats,”
said performer S Pavithran.
“I dropped out of school and spent the entire day loading and unloading baskets of fish. Now I am doing my masters in business administration and also have a part-time job.”
The number of working children in Chennai’s slums
has fallen recently following awareness programmes and interventions by civil society groups and the government.
The drummers have also become an inspiration for families in the area.
“We know how easy it is to drop out so if we find any child wandering around during school hours, we literally drag him or her back to school. Today, even their parents are grateful when we do it,”
Deepan said.
The folk group, a mix of men and women, performs in schools and at weddings
as well as in shows – and at the end of most performances they tell the story of their childhood.
They are also eager to dispel misperceptions about the parai – a flat portable drum.
“The parai drummers are most often considered illiterate and associated with playing at funerals,” Deepan told the audience.
“We are all educated and we are not at a funeral today. The parai gave us freedom and a purpose.”
(Reporting by Anuradha Nagaraj, Editing by Emma Batha; Please credit the
Thomson Reuters Foundation, the charitable arm of Thomson Reuters, that covers
humanitarian news, women’s rights, trafficking and climate change.
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